The music is slightly discordant.
But I am determined
To dance this pas de deux.
I flow towards you.
On tiptoes, you twist your torso
Turning your arched long back to me
You stretch forward towards no one.
Or maybe it’s me that can’t see.
I glide to you
Because that’s what I know.
That’s what I do.
You reach sharply into the unknown.
I brush my foot on the side tentatively, unsure.
Then I spring off to land behind you
You feel my breath,
Warm. Moist.
Two vertical leaps you do.
Two vertical leaps I do.
You are the Christ.
I am the Matthew, Mark, Peter and John.
You swing back unexpectedly
Stepping on my foot
I let out a squeal in rhythm with the mournful music.
The devil’s workshop plays a trick on me.
It hisses to me that it is that time of the dance.
That time when you sweep my buxom flesh into your burly frame.
That time when I feel your solid arms firmly around my waist
That time when I can lean back and lift a leg into the air,
Knowing you wouldn’t let me fall.
Couldn’t let me down.
Nothing of that sort happens.
Instead, the space between us trembles in suspense.
My mouth turns into an O of surprise.
Yours becomes a straight line of coldness
Our backs are arched outwards.
Our hands stretched straight in front of us.
Our heels in the air.
I pirouette from the centre of my pain to the left.
You do a grand jetè like a gazelle from the centre to the right.
In defeat, I plant my shaking feet on the floor of the ballroom
I curtsy and run off the dance floor.
Offstage, I gracefully crumble.
Godess Bvukutwa is a published writer and a feminist development practitioner. One of her short stories was published in Writing Mystery and Mayhem (Weaver Press). This story won the Konrad Adenauer Stiftung Best Short Story Award. In 2012 Godess won the Zimbabwe Women Writers Norma Kitson Short Story Award. Godess is the Zimbabwean project lead for a British Council-funded series of projects titled ‘When Women Write’ which works with underprivileged young women to empower them through enhancing their writing skills.